France & international | 360° Visual & Graphic Communication | Projects | Premium Quality | Design | Brand Identity & Image | Branding | Craft | Print | Marketing | Website | Digital | Events

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MADJEEK AGENCY

Agenge De Communication Et d'Image | Projet Web | Internet

Création de site | Développement | Référencement |

Madjeek is the most awarded independent agency in France.

Graphisme | Design | Animation 2D / 3D | Gestion |

Agence digitale | Publicité | Médias | Numérique | Paris | France |

Agence de Communication Luxe. Agence Madjeek conseil en communication des Maisons de luxe et des marques premium à Paris.

Creative communication agency for brands and large business groups. Organisations - Institutions - Art Et Culture - Luxe - Mode - Fashion

Community manager, gestionnaire des médias sociaux, référenceur, traffic manager, UX designer.

Fabien Conéjéro : Directeur / fondateur - Chef de projet digital - directeur artistique - Développeur web créatif et technique - Webmaster - graphic designer - webdesigner - designer - artistic director - project manager - web developer

Webmaster - graphiste - webdesigner - designer - concepteur - directeur artistique - chef de projet - développeur web
Fabien Conéjéro: Director/ founder - Digital project manager - artistic director - Creative and technical web developer
Graphisme - identité de marque - logo - image - photographie - vidéos - réalisation - statégire de communication sur Internet et les réseaux sociaux
Graphic design - brand identity - logo - image - photography - videos - realization - communication strategy on the Internet and social networks

Madjeek est une agence digitale créative de communication nationale et international spécialisé dans la création de sites, le design, le référencement, l'expérience utilisateur et les projets web sur-mesure en ligne sur Internet, fondéé en 2009 par Fabien Conéjéro. Secteurs : les grandes entreprises, la technologie, l'informatique, le numérique, le luxe, les marques premium, la mode, l'art, la culture, l'immobilier, le tourisme, les loisirs, le sport. Paris | Hong Kong | Shanghai | Pékin / Beijing | Tokyo, Japon | Jakarta, Indonésie | New Delhi, Inde | Manille, Philippines | Séoul, Corée du Sud | Shangaï, Chine, Canton | Bombay, Inde | New York, États-Unis | Chine | Sao Paulo, Brésil | Mexico, Mexique | Canton, Chine | Caire, Égypte | Bangkok, Thaïlande | Los Angeles, États-Unis | Buenos Aires, Argentine | Istanbul, Turquie |

Catégories : Agence de publicité ayant son siège en France - Entreprise du digital / Nouveaux Médias. Entreprises / Économie / Publicité / Médias / Commerce / Organisation

Madjeek est une agence créative et technologique indépendante pour le luxe, l’art et la culture. | La communication de marque de luxe, premium et culturelle. Madjeek accompagne de nombreuses grandes marques, des grands groupes, des grandes enseignes, dans leur stratégie digitale, leurs campagnes publicitaires, la conception de produits et la gestion de projets sur Internet.

Madjeek is an independent creative and technological agency for luxury, art and culture. | Luxury, premium and cultural brand communication. Madjeek supports many major brands, large groups, major brands, in their digital strategy, advertising campaigns, product design and project management on the Internet.

by MADJEEK
MADJEEK WEB AGENCY
Madjeek Web Agency | Projet Digital | Agence | Création de site | Internet | Webdesign | Design | Développement | Référencement | Communication
Agence de Communication & d'Image - Création site web sur mesure - Internet - Projet digital - Développement - Référencement - Graphisme 2D / 3D - Design - Photo - Animation - Conseil

Le multimédia est une technologie pour présenter des informations interactives. Le multimédia associe texte, images, audio, vidéo, animations et données. Les utilisateurs peuvent créer et utiliser ce média sur des ordinateurs, téléphones et bornes interactives. Les technologies de communication, de divertissement, d'éducation, de jeu et de publicité utilisent souvent du contenu multimédia. Multimédia : ce que les petites et moyennes entreprises doivent savoir. Les PME bénéficient du multimédia lorsqu'il est utilisé dans des applications professionnelles. Les organisations peuvent notamment compter sur les logiciels multimédias pour se connecter à leurs salariés itinérants et internationaux. Le multimédia peut être une approche efficace pour le marketing et la publicité. Il attire l'attention et délivre des messages puissants et attrayants.

Numérique | France | Digital | Informatique | Web | Médias | Multimédia | Réseaux |
Image of luxury premium brands | Large groups | Important events | High quality custom projects | Digital and graphic creations | web | Visual communication and design

BIENVENUE L'agence Madjeek est spécialisée dans l'image, la communication, le digital, la présence sur la toile et la réalisation de projets web

Activités

Conception de sites web

Vitrine / Portfolio :

Présentation / Textes / Galerie Photos / Formulaire de contact

e-commerce / Boutique en ligne / marchand

Shopping / Commerce / catalogue produits / articles / paiements sécurisés / achat / commande / vente / comptes clients / panier

• mini site éphémère

Offres promotionnelles / bannière publicitaire / publicité / jeux concours / événement / évènementiel

Création de Template sur mesure - Thème - Intéractivité - Expérience utilisateur - Refonte - Transformation - Développement - Programmation informatique - Codage - Animation - Effets spéciaux - Intégration multimédia - Vidéo - audio - Responsive - Optimisation écrans - Ordinateurs - Mobiles - tablettes - TV - Compatibilité Navigateurs - Référencement SEO - SMO - Rédaction d'articles - Réseaux sociaux - Communautés - Internet - Publication - Partage - Conseil - Analyse - Audit - Mesure d'audience - Test - Gestion de contenu / Mise à jour - CMS - Nom de domaine - Hébergement

Campagne emailing - Stratégie marketing

Graphisme / Design :

Infographie 2D / 3D - Identité visuelle - logo - typographie - Illustration - Webdesign - Charte graphique

Photographie - Capture numérique - Prise de vue - Manipulation - Retouche - Trucage - FX - Montage / composition -Photos immobilières - Visite Virtuelle Interactive 360 degrés - Shooting Particuliers & Professionnels

GLOSSARY: Photoshop is an image editing, processing, and computer-aided drawing software, launched in 1990 on MacOS and then in 1992 on Windows. Published by Adobe, it is primarily used for processing digital photographs and also serves for creating images, documents, infographics, vector drawings, etc. Adobe Illustrator is a vector graphic creation software. It is part of the Adobe suite, can be used independently or in conjunction with Photoshop, and offers powerful vector drawing tools. Vector images are made up of curves generated by mathematical formulas. One of Illustrator's main tools is "the pen," which allows for drawing perfectly-shaped curves by placing anchor points and tangents that modify the curvature. One of the advantages of vector images is that they are resolution-independent, meaning they do not lose quality when enlarged. Suitable for creating both printed documents and illustrations for the Internet (logos, posters, etc.), this software is aimed at the professional market and includes many features designed to enhance productivity. Visual Studio Code is an extensible code editor developed by Microsoft for Windows, Linux, and macOS. Features include debugging support, syntax highlighting, smart code completion, snippets, code refactoring, and integrated Git. Users can modify the theme, keyboard shortcuts, preferences, and install extensions that add additional features. The source code for Visual Studio Code comes from the open-source VSCode project published under the permissive MIT license, but the compiled binaries are free software for any use. Search Engine Optimization (SEO) includes all techniques aimed at improving the ranking of a page, site, or web application in the search engine results page (SERP). These techniques seek to enhance the understanding of the topic and content of one or all pages of a website by indexing bots. The goal is to improve the positioning of a web page in search results. A site's ranking is considered good when it is listed on the first page of search results and therefore among the top seven to ten natural responses to a search on keywords precisely corresponding to its theme. SEO aims to generate organic results, unlike SEA (Search Engine Advertising), which attempts to improve positioning through paid means such as sponsored links or paid advertisements. Social Media Optimization (SMO) is a set of methods to attract visitors to web content through promotion via social media. SMO encompasses actions aimed at encouraging the sharing of content by manual actions of internet users. It complements natural referencing (SEO) which focuses on improving automatic indexing by search engine bots. HTML5 (HyperText Markup Language 5) is the latest major revision of HTML (a data format designed to represent web pages). This version was finalized on October 28, 2014. HTML5 specifies two syntaxes of an abstract model defined in terms of DOM: HTML5 and XHTML5. The language also includes: an application layer with numerous APIs, an algorithm to process documents with non-compliant syntax. The work was taken over by the W3C in March 2007 after being initiated by WHATWG. Both organizations work in parallel on the same document to maintain a single version of the technology. The W3C closed feature additions on May 22, 2011, announcing the finalization of the specification in 2014 and encouraging web developers to use HTML 5 from that moment. At the end of 2016, version 5.1 was officially released with several new features aimed at facilitating the work of web application developers. Cascading Style Sheets, commonly known as CSS (from English Cascading Style Sheets), form a computer language that describes the presentation of HTML and XML documents. The standards defining CSS are published by the World Wide Web Consortium (W3C). Introduced in the mid-1990s, CSS became widely used in web design and was well supported by web browsers in the 2000s. CSS3 - Advancement of the CSS3 specification. Development of the third level of cascading style sheets began in 1999, alongside CSS 2.1. CSS3 became "modular" to facilitate updates, as well as its implementation by user agents with increasingly varied capabilities and needs (graphical browsers, mobile browsers, voice browsers). Browsers can thus implement subsets of CSS3. Hence, the degree of advancement of CSS3 varies according to the modules and the priority given to them by the CSS working group. In 2007, the most advanced modules (candidate recommendations) concerned: formatting ruby annotations, style negotiation between servers and user agents ("Media Queries"), web TV rendering, color management, and consideration of user interface configuration. Media queries is a CSS3 module that allows content of a web page to adapt to the characteristics of the user's device (for example, smartphone screen versus computer screen). Such adaptations became a W3C recommended standard in June 2012. It is the cornerstone of responsive websites. Web design is the creation and design of a website interface: interaction architecture, organization of pages, hierarchy, and navigation within a website. Designing a web design takes into account specific constraints of the internet medium, particularly in terms of ergonomics, usability, and accessibility. Web design requires skills in programming, ergonomics, and interactivity, as well as a good understanding of the technical constraints related to this field. These technical constraints include the diversity of web devices and their displays, accessibility, the specifics of different languages and processes, portability, and compliance with W3C recommendations. The web design of a site initially appears in the form of a functional mock-up with technical specifications: ergonomics, graphic charter, visual identity, marketing, interactivity. A website can consist of a simple static HTML page that is optionally formatted or enriched with CSS including images and links to other content, or consist of dynamic content where functionalities can be added to make it interactive with services programmed in Java, PHP, or other server-side languages, forms assuming processing in JavaScript, or Ajax. It can rely on database technologies, such as MySQL or MongoDB. Front-end web development refers to the HTML, CSS, and JavaScript productions of a webpage or an application that a user can see and interact with directly. The main challenge of front-end web development is to continually adapt to the latest developments, as the tools and development techniques are constantly evolving. The design of websites must also be able to offer good reading ergonomics by facilitating navigation and information retrieval. This goal is further complicated by the variety of formats and sizes of devices. Therefore, the developer must ensure that the website appears correctly across all available web browsers and devices. A web developer is a computer specialist who focuses on programming or is specifically involved in the development of applications for the World Wide Web or applications that run from a web server on a web browser and use the HTTP protocol as a means of transmitting information. Web developers can work in various types of organizations, including large corporations and governments, small to medium-sized enterprises, or as freelancers. Some web developers work for an organization as full-time employees, while others may work as independent consultants or subcontractors for a staffing agency, a web agency, or an IT services company. Web developers operate on both the server side and the front end. This typically involves implementing all visual elements that users can see and interact with in the web application, as well as all web services and APIs necessary to power the front end. A full-stack developer is a coder capable of programming a website or web application in both front-end and back-end development. They possess a variety of skills that allow them to work on each stage of a creation project, from development to production. Graphic design is a discipline that involves creating, choosing, and using graphic elements (drawings, typefaces, photos, colors, etc.) to develop a communication and/or cultural object. It is a way of representation. Each element is symbolic and meaningful in the project's design, according to axes defined possibly with other stakeholders in the communication field, with the aim of promoting, informing, or educating. Graphic design can be defined as the formal treatment of information and knowledge. The graphic designer acts as a mediator who influences the conditions of reception and appropriation of the information and knowledge they shape. Depending on their areas of intervention (illustration, posters, corporate communication, press, publishing, packaging, advertising, web design, signage, visual identity, etc.), they are part of the graphic chain linked to printing or other media. A website is a collection of web pages and resources linked by hyperlinks, defined and accessible by a web address. A site is developed using web programming languages and then hosted on a web server accessible via the global Internet, a local intranet, or any other network, such as the darknet/deep web. All public websites constitute the World Wide Web. The graphic charter, correctly named the graphic norms document, is a working document that contains all the fundamental rules for using the graphic signs that constitute the visual identity of an organization, project, or company. The purpose of the graphic charter is to maintain graphic coherence in the graphic productions of the same organization, project, or company, regardless of the various stakeholders involved in production (graphic designer, art director, etc.). The importance of creating a graphic charter is twofold: The visual identity remains intact regardless of the graphic productions, so that the organization, project, or company (which is a sum of individualities) speaks "with one voice." English speakers refer to this as corporate design. The graphic charter allows the recipient to easily identify the sender and, through habit if the coherence is respected, to visually locate themselves within the various graphic productions and even within the same graphic support (which facilitates reading). Note: A well-designed graphic charter must allow sufficient freedom by constituting "meta-rules" that are flexible, meaning it should avoid prohibitions and consider as many contexts as possible where rules should apply for the use of the graphic signs of the visual identity. Example content of an internet/intranet or multimedia graphic charter. The internet/intranet graphic charter is a paper document or mini-site that defines the position of the various elements that constitute the main pages of a site before their programming. The goal, similar to the previous one, is to validate the principles of navigation between the pages of the future website or intranet. It will also lead to shorter navigation times (as graphic elements are cached), contributing to a good perception of the company by the visitor. Furthermore, it presents fundamental rules that showcase the company's identity. A specification document (sometimes abbreviated as CDC) is a document that must be adhered to during the design of a project. It details the main terms of the sale and the obligations of the contractor, which is read to the assembled merchants before the award. The specification document takes on various forms depending on the type of activity (production or recurring service, one-off project, etc.), the main area of activity concerned, and the company's culture. Currently, in the construction sector, the internal specification document cannot be modified. However, the specification document serves to formalize the needs and explain them to the different actors to ensure that everyone agrees. It particularly helps frame the missions of the involved parties, including those of the project director (on the client's side) and/or the project manager (on the service provider's side). It is then used to select the provider or bidder (in the case of a call for tenders) and organize the relationship throughout the project. It is considered a shared reference by the provider and the internal team, and detailed in contractual documents. Externally, it is also a fundamental communication tool for the project director and/or project manager. Technical part of a specification document: The technical part of a specification document should limit itself to listing established technical constraints (often referred to as requirements). The requirements are organized into themes and then numbered. This organization, advocated by project management, facilitates compliance checks of responses to calls for tenders based on the specifications. In project control, especially during project reviews, compliance checks often take the form of a compliance matrix. The basic constraints are: economic (monetary constraints such as the operating budget), environmental (the recyclability of the product, etc.), industrial (for example, it must be manufactured in Canada), material (for example, it must specify which parts can be replaced, such as batteries; it must specify the use of certain application servers, the deployment platform). Project management encompasses all activities aimed at organizing the successful execution of a project and achieving its objectives. It consists of applying methods, techniques, and management tools specific to the various stages of the project, from evaluating the opportunity to the completion of the project. Design, styling, or stylistics is a creative activity often aimed at industrial or commercial purposes, which may orient towards social, political, scientific, and environmental contexts. The primary goal of design is to invent, improve, or facilitate the use or process of an element that interacts with a physical or virtual product or service. One of the roles of design is to meet needs, solve problems, propose new solutions, or explore possibilities to improve the quality of life of human beings, whether in industrialized Western societies (where design originated) or in developing countries (humanitarian design). Multidisciplinarity is at the heart of a designer's work, whose culture is nourished by the arts, techniques, human sciences, and natural sciences. Design is to be distinguished from decorative arts, an expression that emerged in the 1870s as a counterpart to fine arts in the creation of art objects. Design is linked to technical innovation, mass production, and contemporary aesthetics, while decorative arts pertain to artisanal art, meaning traditional techniques, often with ornamental and figurative aesthetics, and production on a unit or small series basis. However, the boundaries are not strict: a cast iron lamppost from the 19th century falls under the same process as design because, even though it features ornaments, it stems from an innovative technique for its time and is produced in quantity; likewise, some designers sign small series pieces, particularly for the art market, especially since the 1970s. Prompted by marketing since the 2000s, design has gradually become an advertising argument. "Design" has wrongly become an adjective qualifying a style with simple forms and a sleek appearance. It thus supersedes the traditional look of style models. In its artistic aspect, it relies on a work of forms that recalls that of artistic creation and can concern spatial forms (space design, interior architecture), volumetric forms (product design, industrial design), textiles (fashion design, styling), graphics (graphic design), or interactive forms (interactive design, interaction design, digital design). This work on forms explains the importance of aesthetic considerations in the field of design, but it should not overshadow the equally significant importance of functional, technical, environmental, biological, legal, economic, social, political, and even philosophical considerations, which are at the core of a designer's work, considered one of the major professions in design, alongside those of the architect or engineer. PHP: Hypertext Preprocessor, better known by its acronym PHP (a self-referential acronym), is a free programming language primarily used to produce dynamic web pages via an HTTP server, but it can also function like any interpreted language locally. PHP is an object-oriented imperative language. PHP has enabled the creation of many famous websites. It is considered one of the foundations for creating so-called dynamic websites as well as web applications. PHP is most often used server-side: in this architecture, the server interprets the PHP code of the requested web pages and generates code (HTML, XHTML, CSS, for example) and data (JPEG, GIF, PNG, for example) that can be interpreted and rendered by a web browser. PHP can also generate other formats such as WML, SVG, and PDF. It was designed to create dynamic applications, most often developed for the web. PHP is most commonly paired with an Apache server, although it can be installed on most HTTP servers such as IIS or nginx. This pairing allows for retrieving information from a database, a file system (file content and structure), or simply data sent by the browser to be interpreted or stored for later use. It is a loosely typed and flexible language, making it easy for beginners to learn, but as a result, security flaws can quickly appear in applications. Pragmatic, PHP does not get bogged down with theory and tends to choose the most direct path. However, the names of functions (as well as argument passing) do not always follow a uniform logic, which can be detrimental to learning. Its use starts with form processing and then moves to database access. Access to databases is straightforward once the corresponding modules are installed on the server. The most obvious strength of this language is that over time it has allowed for the easy resolution of previously complicated problems and has consequently become an essential component of hosting offerings. JavaScript: This is a scripting programming language primarily used in interactive web pages and is an essential part of web applications. Alongside HTML and CSS, JavaScript is sometimes considered one of the core technologies of the World Wide Web. A vast majority of websites use it, and most web browsers have a dedicated JavaScript engine to interpret it, independent of any security considerations that may arise. It is a prototype-based object-oriented language: the basics of the language and its main interfaces are provided by objects. However, unlike an object-oriented language, the base objects are not instances of classes. The language was created in ten days in May 1995 for Netscape Communications Corporation by Brendan Eich, who was inspired by many languages, notably Java, but simplified the syntax for beginners. Brendan Eich initially developed a server-side scripting language called LiveScript to enhance the commercial offering of Mosaic Communications Corporation's HTTP server. The release of LiveScript occurred at a time when NCSA forced Mosaic Communications Corporation to change its name to Netscape Communications Corporation. Netscape then worked on developing a client-side version of LiveScript. A few days before its release, Netscape renamed LiveScript to JavaScript. Sun Microsystems and Netscape were partners, and the increasingly popular Java virtual machine served both companies' interests. A content management system (CMS) is a program that allows the creation of a website, a blog, or an e-commerce site. It enables the following functionalities: it allows multiple individuals to work on the same document, it provides a publication chain (workflow) offering, for example, the ability to publish document content, it separates content management operations from form, it structures content (using FAQs, documents, blogs, discussion forums, etc.), it prioritizes users and assigns them roles and permissions (anonymous user, administrator, contributor, etc.), and some CMS include version management. When the CMS manages dynamic content, it is referred to as a dynamic content management system (DCMS). The CMS should not be confused with electronic document management systems (EDM), which allow for content management within an organization (notably the document lifecycle). WordPress and Wix are among the CMSs. List of the main content management systems: WordPress is a powerful open-source collaborative CMS in PHP and JS; BackBee is an open-source CMS in PHP and JavaScript; Concrete5 is a portal engine; CMS Made Simple is a CMS; Dotclear is a blog engine; DotNetNuke/DNN is a free CMS on the Microsoft .NET platform; Drupal is a portal engine; eXo Platform is an open-source CMS in Java; eZ Publish is an open-source CMS in PHP; Finwe is a blog engine; FluxBB is a forum engine; Joomla! is a portal engine; Magento is an online store engine; Magnolia is an open-source Java CMS; MediaWiki is a wiki engine; phpBB is a forum engine; PrestaShop is an online store engine; Rubedo is a French open-source multi-site CMS; SMF is a forum engine; SPIP is a template-based CMS; Textpattern is an open-source CMS in PHP; TYPO3 is an open-source CMS in PHP; Xoops is a portal engine; E-majine is a professional CMS in PHP; Saytup is a professional CMS in PHP; Izi-media is a professional CMS in PHP; OpenCart is an online store engine; Vosao is an open-source Web 2.0 CMS based on Google Cloud Platform; Fiona is a professional CMS; Wekio is a site engine. Less is a dynamic CSS generation language designed by Alexis Sellier. Initially inspired by Sass, it in turn influenced Sass with the appearance of the "SCSS" syntax, whereby Sass adopts elements of classic CSS syntax. The principle of Less is indeed not to break with CSS syntax: any CSS code is also valid and semantically equivalent Less code. Less adds notably the following mechanisms: variables, nesting, mixins, operators, and functions. Less is distributed as open source. Its first version was written in Ruby, while later versions are in JavaScript. Compared to other CSS preprocessors, it has the unique feature of being able to be converted on-the-fly, either by the server or by the browser. It can also be automatically translated into standard CSS upon writing. Sass (Syntactically Awesome Style Sheets) is a scripting preprocessor language that is compiled or interpreted into CSS (Cascading Style Sheets). SassScript is the scripting language itself. Sass consists of two syntaxes. The original syntax, called "indented syntax," uses indentation to separate code blocks and line breaks to separate rules. The new syntax, "SCSS," uses the same block separators as CSS. Files using the indented syntax and SCSS use the extensions .sass and .scss, respectively. The indented syntax is a metalanguage, while SCSS is a nested metalanguage, as valid CSS is also valid SCSS without any syntax modification. SassScript provides the following features: variables, nesting, mixins, and selector inheritance. Adobe Flash, or Flash, formerly Macromedia Flash, refers to a set of software technologies that allow for the manipulation of vector graphics, bitmap images, and ActionScript scripts to create or use multimedia content (animations, videos, games, applications, etc.). The Flash Player software was developed and distributed by Macromedia until 2005, following its acquisition by Adobe Systems, which supported the software until the end of its support on December 31, 2020. Flash Player was available as a plugin on most web browsers, allowing for the use of interactive objects or the streaming of video feeds, which was not natively permitted by browsers at the time. Flash can refer to an integrated development environment (IDE), a virtual machine used by Flash Player, or a Flash server for reading Flash files (SWF format). Following its launch in 1996, Flash technology became one of the most popular ways to add animations and interactive objects to a web page and also allowed for the integration of streaming video into a web page. The technology was included in many software applications and was also used to create animations, advertisements, or video games. Flash was long the dominant platform for multimedia content on the web, but after Apple's decision in 2010 to no longer include it on its tablets and phones, along with the development of new web technologies like HTML5 that surpassed Flash in functionality and security, the use of the technology dropped from nearly 50% of websites in 2011 to 10% by October 2016, before collapsing with the end of Flash Player development in 2020 and its support by browsers. Macromedia was an American software company based in San Francisco. The company resulted from the merger of Macromind-Paracomp and Authorware. Macromedia is best known for its Flash, FreeHand, and Dreamweaver software. In May 2005, the acquisition of the company by Adobe Systems was announced. Final Cut Pro (FCP) is a non-linear virtual editing software developed by Apple. Originally developed by Macromedia, Final Cut Pro was purchased by Apple in 1998, saving it from certain disappearance. After a complete redesign and marketing support, Apple turned it into a widely used editing software among video editors who work solely on Mac, as the software only functions on the macOS system. This software intended for the general public has nonetheless professional qualities and is used in the professional video world (television or cinema) due to its quality and the lower cost of editing equipment in general. Final Cut Pro introduced a simple novelty to the world of virtual editing at its inception: native DV editing by simply connecting a FireWire cable to the computer's FireWire port, allowing for the recovery of video in digital format for editing without any loss or transformation. As the software evolved, Final Cut Pro integrated the management of other interfaces, including video capture cards. Offered by third-party manufacturers, these cards allow capturing uncompressed analog or digital signals (SDI) and processing them with Final Cut Pro or any other QuickTime-compatible application. The first of these cards was the RTMac offered by Matrox. In the professional world, the capture cards used with FCP are provided by BlackMagic Design (Decklink, Multibridge…), AJA (Kona…), and Matrox (MXO2…). A graphic designer is a communication professional who creates visual communication solutions. They work on the meaning of messages using graphic forms applied to all types of media. The graphic designer acts as a mediator who influences the conditions of reception and appropriation of the information and knowledge they shape. Their knowledge is based on typography, the use of signs and images, and the art of layout. The graphic designer can express themselves in the printed domain (publishing, display), in interactivity (web, multimedia), in illustration or animation (motion design). The term "graphic designer" is sometimes preferred over "graphic artist." Graphic design includes other specialized professions: the digital graphic artist is a designer specialized in creating digital images (graphic design); the layout artist is a designer specialized in the layout, on computer (graphic tablet), of titles, texts, and illustrations. The graphic designer has three essential functions. Their first role is to "identify," to state what something is or to indicate its origin (inn sign, banner and shield, bricklayer's mark, publisher and printer symbols, corporate logo, packaging label). Their second function, which covers what specialists call "informative graphics," is to "inform" and "instruct," by indicating the relationship between several things in terms of direction, position, or scale (map, diagram, informational signs). Finally, their third role, very different from the other two, is to "present" and "promote" (posters, advertisements) with the goal of capturing attention and imposing a message. Today, graphic design is part of the culture and economy of industrialized countries. Under the influence of commercial pressures and cutting-edge techniques, new graphic forms are emerging, but graphic designers continue to draw from the past; the electronic revolution allows for the storage of images for reuse by manipulating and assembling them according to contemporary aesthetics. Graphic design constitutes a form of language whose grammar is undefined and whose vocabulary is constantly growing. Information graphic design, in the broadest sense, involves the selection, organization, and presentation of information intended for a particular audience. Information can be delivered on various types of documents: weather map, flight schedule indicator, statistical data tables… The amount of information contained in these documents is sometimes particularly significant, as in a road map, and the user extracts only what they need for a specific purpose. The information graphic designer, as a discipline, primarily aims to communicate information effectively. The information provided must remain accurate, and its presentation must not distort it—this is the designer's responsibility. Unlike advertising and marketing graphics, which often aim to encourage the user to take certain actions, information graphics focus on presenting all objective data necessary for decision-making. Designers specializing in information presentation have been described as "transformers" (whether dealing with raw data, a set of actions, or a process) into visual presentations that a given audience can easily understand. Graphic arts serve to signify measurements (surveying, currency...), faith (objects of worship, funeral rituals), the commands of power, and the transmission of knowledge (frescoes, emblems, writing...). It can be said that graphic design is always related to language, first because it often involves arranging images and text, and secondly because it must always convey something; to do this, it employs techniques that are those of rhetoric: connotation, metaphor, metonymy... by playing with juxtapositions of images (association of ideas), framing, atmospheres, the expressiveness of colors, and reading (decoding) conventions. Typography is at the heart of graphic design. The arrangement of characters and their design quickly became essential parameters for optimizing the time needed to produce a document, the available space, and readability. Arranging a page or formulating a discourse: a large part of a graphic designer's work consists of laying out (organizing) text. Hence the existence of numerous composition rules that take into account spelling, syntax, and readability (orthotypography). These rules govern accents, punctuation, word hyphenation, spaces between signs, words, and lines, and the separation of texts into paragraphs. Often derived from the technical constraints of printing, these rules have become cultural conventions that evolve and which graphic designers must consider. Every text has a structure: title, subtitle, notes, different statement statuses that are sometimes composed of different characters and varying sizes. "The character also has an image" that can express a particular tone through its shape and density, which is why there are many type families, including those referred to as "fancy," generally reserved for titles, posters, and signs. “The democratization of typography”: For nearly 500 years, the creation of typefaces was the domain of a small number of specialists, leading to a complex implementation (hand-drawing requiring a certain virtuosity, then precise manual engraving). As for typographic composition rules, they required a laborious learning process and extensive practice. It was only with the advent of DTP (desktop publishing) in the early 1980s that access to type creation and manipulation became—relatively—easier. Whether concerning printing techniques or the transformation of media, the transmission of information and the evolution of graphic design are closely linked to technical progress. Reproduction techniques: The generalization of reading and writing, and the spread of images progressed as we transitioned from manual reproduction (copies and illuminations) to mechanical reproduction techniques (engraving, stamping, typography, movable type, lithography, offset, and screen printing...). The characteristics of graphic design professions today are: the rapid evolution of communication technologies, the integration of multimedia (text, image, sound, movement, interactivity...), and the relentless pressure of images. The very limits of printing are pushed back with digital technology, which allows for greater flexibility in use: shorter deadlines, small print runs, print-on-demand, and reprinting, possibly modifying an already published document, at an accessible cost. In France: Until 2018, the BTS Graphic Design (formerly BTS Visual Communication) trained students for the graphic designer profession. Today, the BTS has been replaced by the DNMADe (National Diploma of Art and Design Professions) in Graphic Design. This three-year program is conducted in high schools (while depending on a university). It operates on a credit system and is equivalent to a Bachelor's degree (Bac+3). Therefore, it is possible after a DNMADe to continue studies towards a Master's degree at university without needing a preparatory year. In pre-Bac training, it is possible to pursue a professional Bac in Crafts and Arts with a specialization in Visual Communication (formerly Graphic Communication). Many art schools also offer the DNAP (national diploma in plastic arts) specializing in graphic design, as well as the DNSEP (higher national diploma in plastic studies) specializing in graphic design (or a Master's degree). These diplomas are prepared over three and five years, respectively. There are many schools, whether public or private, or distance learning institutions that provide certificates with similar preparation durations. Multimedia and learning: According to Joseph Rezeau: "A multimedia learning environment is characterized by the grouping on the same medium of at least two of the following elements: text, sound, still image, animated image, in digital form. These elements are accessible via a software program that allows a variable degree of interactivity between the user and the aforementioned elements. By interactivity, we mean the possibilities of navigation, hyper-navigation (via hyperlinks), information search (free or guided), and online help. If the product offers activities of the "exercise" type, the quality of feedback (both positive and negative) provided by the software—regardless of the form and channel used—will be a determining criteria for the product's quality. In the case of a product designed for institutional use, the ability to keep a record of the learner's activity for the teacher will be considered an additional asset. For a product intended for "online" use, the ability to communicate synchronously or asynchronously with peers or a teacher will be considered a desirable feature. The medium and the content must be differentiated with multimedia tools: computers, networks, CD-ROM or DVD-ROM players, and the content, which is the information delivered. Increasingly, a form of distance learning is developing, and the student can contact their teachers and access their teachings remotely via the Internet. This form of teaching is called "e-learning" (in French: distance learning). Multimedia and IT interoperability: The interoperability of multimedia systems in computing is achieved through graphic, audio, and video standards and technical specifications such as JPEG, MP3, MPEG-4, etc. Some multimedia applications: Computer animation: classic animated drawing in interaction with computer-generated images; Audiovisual; Computer-Aided Design (CAD); Web development; Immersive devices; Computer-Assisted Instruction (CAI): distance education, tutorials; Graphic design: infographics, bitmap drawing, vector drawing; Video games: adventure games, strategy games, action games, etc.; Desktop Publishing (DTP): layout, photocomposition; Computer-Assisted Music (CAM): sound synthesis, sampler, MIDI; Computer-Assisted Editing (audio and/or video): video; VoIP; Videoconferencing: Zoom Video Communications, Microsoft Teams. Multimedia professions: Journalist, Graphic Designer, Web Designer, Art Director, Multimedia Designer, 2D, 3D, and 3D Animation, Motion Design, Video Editing, Infographics, Digital Art, Software Development, Database Administrator, Media Specialist, Media Librarian. The term digital is the adjective associated with the noun "finger" (examples: digital tracing, fingerprint, digital computer). It is also an anglicism ("digit" means "number" in English) used in France since the 1970s. Since the 2000s, the term "numerical" has been proposed as a substitute word. The transition from analog information to digital information is called digitization, while the transition from hardware technology to digital technology is generally called virtualization or dematerialization. Derivation of the term: The use of the term "digital" for "numerical" stems from an erroneous extension of "digital display," or seven-segment display from the 1980s to encompass any number display, then to all digitization. The success of seven-segment displays ("digits" in English, meaning "numbers") led the term "digital display" to become, through the same derivation as the brand name "fridge" for "refrigerator," synonymous with digital display, even when the evolution of technology has moved this display to dot matrix displays. Semantically, the term "digital," in both French and English, comes from the Latin digitus meaning "finger" and has no relation to number or digitization, but rather with counting on fingers or "on one's fingers." Thus, digital displays, which appeared in the 1980s, avoided counting in binary on fingers and gave rise to the expression "digital display." Therefore, a digital calculator could be likened to an abacus, an instrument still used in Asia in the 2010s, through which calculations are made with fingers, which also explains why "digital" (numbers + fingers) was used in place of the term "numerical" from the 1970s to the 1990s. The use of the term "digital" instead of numerical or digitization is a lexical borrowing, often derived from the effects of marketing.


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Luxury & Creativity. Luxury Marketing Agencies in Paris. Luxury communication agency specialized in brand content and the creation of advertising campaigns. Communication consulting agency dedicated to luxury houses, in the worlds of beauty, fashion, watchmaking and jewelry, wines and spirits and the art of living. We support prestigious companies, in their brand strategy and image strategy, advertising communication campaigns, digital and social media campaigns, influencer strategy, brand content, product launch... Luxe & Créativité. Agences de Marketing de Luxe à Paris. Agence de communication luxe spécialisée dans le brand content et la création de campagnes publicitaires. Agence conseil en communication dédiée aux maisons de luxe, dans les univers de la beauté, de la mode, de l’horlogerie et de la joaillerie, des vins et spiritueux et de l’art de vivre. Nous accompagnons des maisons prestigieuses, dans leur stratégie de marque et stratégie d’image, campagnes de communication publicitaires, campagnes digitales et social media, stratégie d’influence, brand content, lancement produits... Un premier échange permet de cibler vos attentes, vos envies, vos idées et de pouvoir s'immerger dans votre domaine, votre thématique.

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Grandes entreprises technologiques / Tech
(last modified February 26, 2024 at 9:20am)
by and
Grandes entreprises technologiques / Tech : Amazon (Amazon Store, Amazon Prime, Amazon Web Services (AWS), Alexa, Twitch, Goodreads), Apple (iPhone, iPad, Apple Watch, AirPods, MacBook), Microsoft (Microsoft, MS Office, Microsoft Teams, Visual Studio, LinkedIn, Skype, GitHub.), Alphabet Inc Google, Meta Platforms ( Facebook, Instagram, WhatsApp, Messenger), Samsung Group, Tencent Holdings, Meta Platforms (Facebook, Instagram, WhatsApp, Messenger), Cisco Systems, Oracle Corporation (Oracle Cloud, Java, MySQL, Oracle Linux), Atlassian, Synopsys, Zoom Video Communications, Shopify, Uber Technologies Inc, VMware, Capgemini (Tessella, Sogeti), Intuit, Adobe (Adobe Acrobat, Adobe Photoshop, Adobe Creative Cloud), Salesforce, Accenture, SAP, Broadcom Inc, IBM, Intel, Dell, Alibaba Group, HP.

Les sociétés en France / Les grands noms du luxe :

Au niveau national, le classement est dominé par les géants du luxe : Bernard Arnault (LVMH - Louis Vuitton, Christian Dior, Fendi, Celine...) - Famille Hermès - Famille Wertheimer (Chanel).

Lvmh Moet Hennessy Louis Vuitton SE. Groupe d'entreprises. LVMH Moët Hennessy Louis Vuitton SE est un groupe français d'entreprises, fondé en 1987 par Alain Chevalier et Henry Racamier, qui est aujourd'hui numéro un mondial de l'industrie du luxe en termes de chiffre d'affaires. Quelles sont les marques de LVMH ? Louis Vuitton, Bulgari, Dior, Fendi, Givenchy, Guerlain, Kenzo, Marc Jacobs, Tiffany & Co. mais aussi Moët & Chandon, Veuve Clicquot, Krug, Dom Pérignon, Maison Ruinart, Le Bon Marché ou encore Séphora... Qu'est-ce que veut dire LVMH ? Le groupe LVMH est le leader de l'industrie du luxe dans le monde. Il voit le jour en 1987, né de la fusion de Louis Vuitton et du groupe Moët Hennesy, ce dernier étant lui-même issu de la fusion en 1971, entre le producteur de champagne Moët et Chandon et le fabricant de cognac Hennessy. Quelles sont les maisons de LVMH ? Moët & Chandon. Mode & Maroquinerie. Parfums & Cosmétiques. Montres & Joaillerie. Tiffany & Co. Jardin d'Acclimatation.

Les marques de luxe cherchent à travers le mode de communication à créer des expériences uniques pour leurs clients, en accord avec les valeurs et l'histoire de leur marque. Mais elles souhaitent avant tout une offre qui sorte des sentiers battus, pour marquer les mémoires à long terme. Mot familier pour les adeptes du maquillage, le terme « KHOL » a pourtant une définition bien différente pour les économistes et les spécialistes du luxe. Derrière ces quatre lettres se cachent quatre fleurons français : Kering, Hermès, L'Oréal et LVMH. Et malgré les crises sanitaire et économique, ces géants du luxe continuent de dominer le CAC 40 et de faire rayonner la France à l’international. La France, championne du monde du luxe ? Cette hégémonie française est confirmée par le classement des groupes et marques de luxe les plus performants publié par Deloitte en décembre dernier. La France compte cinq entreprises dans le top 10 des géants du secteur : les KHOL, accompagné de Chanel. En tête du classement, LVMH s’affirme comme le champion mondial du luxe, juste devant le groupe Kering. L'Oréal et Hermès prennent respectivement la cinquième et neuvième position du classement. Cette bonne santé du luxe français est également soulignée par les résultats 2021 annoncés en ce début d’année par les grandes marques du secteur. LVMH a ainsi vu son chiffre d’affaires progresser de 44 % par rapport à 2020, et de 20 % par rapport à 2019, pour atteindre 64,2 milliards d'euros. De son côté, L’Oréal a annoncé avoir réalisé une croissance record de + 16,1 %, soit deux fois celle du marché mondial de la beauté, pour 32,28 milliards d’euros de chiffres d’affaires. Mais pour conserver leur leadership en France et dans le monde, les KHOL doivent continuer à innover pour toucher une cible encore plus large.

KHOL : Kering, Hermès, l'Oréal et LVMH, réunis sous l’acronyme KHOL
 2024-02-19 

Grandes entreprises en France
by
(last modified February 26, 2024 at 9:20am)
Grandes entreprises en France :

- Air Liquide : Fondée en 1902, Air Liquide est une entreprise spécialisée dans la production et la distribution de gaz industriels, tels que l'oxygène, l'azote, l'hydrogène et l'argon.

- Engie : Engie est un groupe industriel énergétique français. Son principal actionnaire est l'État français, qui détenait un quart du capital jusqu'en 2019. Le groupe naît le 22 juillet 2008 d'une fusion entre Gaz de France et Suez.

- L'Oréal est un groupe industriel français de produits cosmétiques. La société, créée par Eugène Schueller le 30 juillet 1909, est de nos jours devenue le groupe international numéro un mondial de l'industrie cosmétique. L’Oréal a mis au point une stratégie unique : l’Universalisation. Il s’agit d’une approche de la mondialisation qui saisit, comprend et respecte les différences. Les différences de désirs, de besoins et de traditions. Pour offrir une beauté sur mesure et satisfaire les besoins des utilisateurs aux quatre coins de la planète. L’Oréal est animé par cette vision plurielle du monde. Pour l’Oréal, l’Universalisation, c’est être présent partout dans le monde, mais d’une manière qui ne soit pas uniforme. Cela signifie créer et produire des cosmétiques à l’échelle locale, pour que les formules soient parfaitement adaptées aux besoins, partout où vous vivez. Pour atteindre cet objectif, L’Oréal a développé un réseau mondial en Recherche & Innovation, ainsi qu’un hub marketing pour chacun de ses marchés stratégiques : les États-Unis, le Japon, le Brésil, la Chine, l’Inde et l’Afrique du Sud. Pour compléter le travail de développement des équipes, L’Oréal jouit également d’une présence industrielle mondiale, permettant à ces innovations une entrée sur le marché rapide et efficace. Grâce à l’Universalisation, les réussites de ces différents hubs peuvent être transposées aux autres régions du monde. Avec des dizaines de marques, de la plus basique au grand luxe, l’empire L’Oréal est omniprésent dans les rayons des supermarchés, boutiques de luxe ou salons de coiffure de plus d’une centaine de pays. Inventaire des produits vendus sous l’égide du groupe.



Marques de luxe :

Lancôme, une marque emblématique dans le monde de la beauté, incarne le raffinement à la française et l'innovation cosmétique. Fondée en 1935 par Armand Petitjean, la maison Lancôme naît lors de l'Exposition Internationale des Arts et Techniques dans la Vie Moderne à Paris. Petitjean, inspiré par les jardins de la Renaissance française, choisit le nom de Lancôme en référence au château de Lancôme, symbolisant ainsi un mariage entre l'héritage culturel et le luxe.
Une Histoire Riche et Inspirante : La marque commence son aventure avec une gamme de parfums, et son premier succès est le parfum "Tropiques", qui s'illustre par ses notes florales. Cependant, c'est avec "Trésor", lancé en 1990, que Lancôme s'impose vraiment sur le marché des fragrances, devenant un best-seller et un symbole de l’élégance intemporelle.
Dans les années 1960, Lancôme se diversifie en lançant sa première ligne de maquillage, suivie par des soins de la peau qui marquent un tournant dans l'industrie cosmétique. L'introduction de produits emblématiques comme le fond de teint "Teint Idole" et le sérum "Advanced Génifique" a consolidé la réputation de la marque en tant que leader dans le domaine des soins de la peau.
Innovation et Recherche : L’un des atouts majeurs de Lancôme réside dans son engagement envers l'innovation scientifique. La marque investit massivement dans la recherche et le développement, collaborant avec des dermatologues et des scientifiques pour élaborer des produits qui répondent aux besoins spécifiques de la peau. Lancôme est également reconnu pour son utilisation d’ingrédients d’origine naturelle dans ses formulations, témoignant d’une démarche éthique et responsable.
Par ailleurs, Lancôme met un point d’honneur à s’adapter aux évolutions sociétales. Avec l’essor de la demande pour des produits plus inclusifs, la marque a élargi sa gamme de teintes de fonds de teint pour répondre à une diversité de tons de peau. Cette approche reflète une sensibilité accrue aux enjeux contemporains de la beauté.
Un Savoir-Faire Écoresponsable : Consciente des enjeux environnementaux, Lancôme a mis en place des initiatives pour réduire son empreinte écologique. La marque s'engage à utiliser des emballages recyclables et à réduire les déchets dans ses processus de production. Des partenariats avec des organisations écologiques témoignent de son désir de promouvoir la durabilité.
Un Impact Culturel : Lancôme ne se limite pas à la fabrication de produits de beauté; elle s'impose également comme un acteur culturel. La marque soutient des artistes et des projets artistiques à travers des collaborations avec des créateurs et des designers de renom. En 2021, par exemple, Lancôme a lancé une collection en partenariat avec la maison de couture Balmain, soulignant ainsi l'intersection entre la mode et la beauté.
À l'aube de nouvelles tendances, la marque est bien positionnée pour écrire le prochain chapitre de son histoire, tout en préservant son héritage.



Giorgio Armani-Beauty, une sous-marque du célèbre designer italien Giorgio Armani, incarne l’élégance, la sophistication et l'innovation dans l'univers de la cosmétique. Fondée en 2000, la ligne de beauté est le reflet de la philosophie stylistique d’Armani, qui prône une approche minimaliste et intemporelle, tout en mettant l'accent sur la qualité et l'authenticité.
Un Parcours Éblouissant : La marque Giorgio Armani a été fondée en 1975, principalement dans le domaine de la mode, où elle a rapidement gagné en notoriété grâce à ses créations raffinées et à sa vision avant-gardiste. En lançant Giorgio Armani Beauty, le créateur a souhaité étendre son empire au-delà de la mode, en intégrant les principes de son design à l'univers de la beauté. Le premier lancement, un parfum emblématique, "Armani Pour Homme", a rapidement établi la réputation de la marque dans le secteur des fragrances.
Au fil des ans, Giorgio Armani Beauty a élargi sa gamme pour inclure non seulement des parfums, mais aussi des soins de la peau et du maquillage. Des produits phares comme le fond de teint "Luminous Silk" et le rouge à lèvres "Armani Lip Maestro" ont su séduire les consommateurs et les professionnels de la beauté, devenant des incontournables dans les trousses de maquillage.
L’Innovation au Coeur de la Marque : L'une des caractéristiques distinctives de Giorgio Armani Beauty est son engagement envers l'innovation. La marque investit dans la recherche pour développer des produits qui allient efficacité et esthétisme. La formulation de ses produits de maquillage, par exemple, se distingue par des textures légères et une couvrance modulable, permettant aux utilisateurs de personnaliser leur expérience de beauté.
En outre, Giorgio Armani Beauty a su s'adapter aux tendances émergentes du marché en intégrant des ingrédients d'origine naturelle et des formules écoresponsables. La marque a également mis en place des initiatives pour réduire son impact environnemental, notamment par l'utilisation d'emballages recyclables et la promotion d'une production plus durable.
L'Élégance et la Diversité : Giorgio Armani Beauty se distingue par son approche de la beauté inclusive. La marque s'efforce de proposer une large palette de teintes qui répondent à la diversité des carnations, permettant à chaque individu de trouver des produits adaptés à ses besoins. Cette inclusivité s'inscrit dans une vision plus large des standards de beauté, où la singularité et l'authenticité sont célébrées.
Un Impact Culturel et Artistique : Outre son influence dans l'industrie de la beauté, Giorgio Armani Beauty a également un impact significatif sur la culture et l'art. La marque a soutenu de nombreux projets artistiques, collaborant avec des artistes et des créateurs pour promouvoir l'innovation et la créativité. En 2022, la marque a lancé la campagne "Armani Beauty is You", mettant en avant des personnalités de divers horizons pour promouvoir une vision moderne de la beauté.



Yves Saint Laurent, une des marques les plus emblématiques et influentes dans le monde de la mode et de la beauté, a su marquer son empreinte grâce à une vision audacieuse et innovante. Fondée en 1961 par le designer franco-algérien Yves Saint Laurent et son partenaire Pierre Bergé, la maison a rapidement évolué pour devenir une référence en matière de style, de sophistication et de créativité. La ligne de beauté, lancée en 1978, incarne cette philosophie en proposant des produits qui allient luxe, performance et esthétique.
Une Histoire de Créativité et d'Audace : Yves Saint Laurent fait ses débuts dans la mode en 1958, après avoir été nommé designer chez Dior à l’âge de 21 ans. Il révolutionne le monde de la mode avec des créations iconiques comme le trench-coat pour femmes et le smoking féminin, défiant les normes de genre et redéfinissant la silhouette féminine. Cette approche audacieuse se reflète également dans ses produits de beauté, qui visent à célébrer la diversité et l’expression individuelle.
Le premier parfum de la marque, "Y", a été lancé en 1964, suivi de "Opium" en 1977, qui a connu un succès retentissant et qui reste l'un des parfums les plus vendus au monde. L'introduction de la ligne de maquillage en 1978 a permis à la maison de s'imposer dans le secteur cosmétique, offrant aux consommateurs une gamme de produits à la fois luxueux et accessibles.
L'Innovation au Service de la Beauté : Yves Saint Laurent Beauty se distingue par son engagement envers l’innovation et la recherche. La marque investit dans des technologies de pointe pour développer des formulations qui répondent aux besoins variés des consommateurs modernes. Des produits phares tels que le fond de teint "All Hours" et le rouge à lèvres "Rouge Pur Couture" ont été conçus pour allier performance et confort, tout en offrant une large gamme de teintes adaptées à toutes les carnations.
La marque adopte également une approche écoresponsable, intégrant des ingrédients d'origine naturelle et s'engageant à réduire son empreinte environnementale. Les initiatives pour un packaging durable et des formulations respectueuses de l’environnement témoignent de la volonté d'Yves Saint Laurent de répondre aux attentes croissantes des consommateurs en matière de durabilité.
L'Inclusivité et la Diversité : Yves Saint Laurent a toujours mis un point d’honneur à célébrer la beauté sous toutes ses formes. La marque se positionne comme un défenseur de l'inclusivité, proposant une vaste palette de produits qui répondent à la diversité des notes de peau et des styles. Cette approche démocratise la beauté, permettant à chacun de trouver des produits qui reflètent sa personnalité et son identité.
La stratégie de communication de la marque, notamment à travers les réseaux sociaux et les collaborations avec des influenceurs, vise à engager une génération plus jeune tout en restant fidèle à l'héritage d'Yves Saint Laurent, qui croyait en l'autonomisation des individus.
Impact Culturel et Artistique : Au-delà de son succès commercial, Yves Saint Laurent a également eu un impact significatif sur la culture et l’art. La maison a souvent collaboré avec des artistes et des créateurs, intégrant l'art dans son univers de beauté. Des campagnes publicitaires audacieuses et artistiques, souvent inspirées par des mouvements artistiques, ont renforcé son image de marque avant-gardiste et innovante.

Beauté, Biotherm, Kiehl’s, Ralph Lauren, Shu Uemura, Cacharel, Helena Rubinstein, Clarisonic, Diesel, Viktor & Rolf, Yue Sai, Maison Margiela, Urban Decay,Guy Laroche, Paloma Picasso, Proenza Schouler. Marques de grande distribution : L’Oréal Paris, Magic, Garnier, Maybelline, ABB (African Beauty Brands), Essie, NYX Professional MakeUp. Marques professionnelles : L’Oréal Professionnel Paris, Kérastase, Redken, Matrix, Pureology, Shu Uemura Art of Hair, Mizani, Decléor, Carita. Parapharmacie : Vichy, La Roche-Posay, SkinCeuticals, Roger & Gallet, Sanoflore. L’origine de L'Oréal remonte au 14 novembre 1907, lorsque Eugène Schueller, jeune chimiste français d'origine alsacienne, diplômé de l'Institut de chimie appliquée de Paris en 1904, dépose à l'Office national de la propriété industrielle une demande de brevet d'invention concernant un procédé de teinture pour cheveux. Françoise Bettencourt et ses enfants détiennent 34,7% du groupe. Son siège est situé à Paris.

- Sanofi une start-up née en France il y a 50 ans et aujourd'hui leader mondial de la santé rassemblant cent mille collaborateurs dans plus de cent pays. Sanofi est une entreprise transnationale française dont les activités incluent la pharmacie (notamment des médicaments de prescription dans les domaines du diabète, des maladies rares, de la sclérose en plaques et de l'oncologie et des produits de santé grand public) et les vaccins. En lien avec : Jean-René Sautier, Jean-François Dehecq, Serge Weinberg, Institut Pasteur, Eastman Kodak, Yves Saint Laurent, Yves Rocher, Van Cleef & Arpels , Nina Ricci, Gucci, François Pinault

- Carrefour : Carrefour est un groupe français du secteur de la grande distribution, pionnier du concept d'hypermarché en 1963. Devenu en 1999 le numéro un européen de la grande distribution en fusionnant avec Promodès, il se hisse en 2013 au 3e rang mondial de ce secteur par son chiffre d'affaires, derrière le groupe américain Walmart.

- BNP Paribas est une banque commerciale française. Elle est la première banque européenne par son activité et sa rentabilité avec 3 080 milliards $ d'actifs et le 8ᵉ groupe bancaire international, présent dans 65 pays. Il est coté au premier marché d'Euronext Paris et fait partie de l'indice CAC 40.

- Orange : Orange est une société française de télécommunications. Elle comptait à la fin de 2019 près de 266 millions de clients dans le monde1, des chiffres en hausse par rapport à ceux affichés en 2018. En 2020, l'entreprise est leader ou second opérateur dans 75 % des pays européens où elle est implantée et dans 83 % des pays en Afrique et au Moyen-Orient. Orange était à l'origine une entreprise de télécommunications britannique devenue, en 1999, la filiale de Mannesmann, puis en 2000 celle du groupe France Télécom, entreprise publique. L'ancien monopole public français s'est donc internationalisé à la suite du rachat d'Orange. Le nouveau groupe ainsi créé est présent notamment en Europe, en Afrique et dans les Antilles. À partir du rachat d'Orange, la plupart des marques du groupe France Télécom sont passées sous la marque Orange.

- Lvmh Moet Hennessy Louis Vuitton SE : LVMH Moët Hennessy Louis Vuitton SE est un groupe français d'entreprises, fondé en 1987 par Alain Chevalier et Henry Racamier, qui est aujourd'hui numéro un mondial de l'industrie du luxe en termes de chiffre d'affaires.

LVMH Moët Hennessy Louis Vuitton SE : Le Pilier de l'Industrie du Luxe

LVMH Moët Hennessy Louis Vuitton SE, souvent abrégé en LVMH, est un groupe français emblématique, leader mondial de l'industrie du luxe. Fondé en 1987 par Alain Chevalier et Henry Racamier, LVMH est le fruit de la fusion de Louis Vuitton, une maison de maroquinerie et de voyage fondée en 1854, et de Moët Hennessy, un conglomérat de champagne et de cognac. Depuis sa création, le groupe a su bâtir un empire qui englobe des marques prestigieuses dans divers secteurs, notamment la mode, les cosmétiques, les vins et spiritueux, et la joaillerie.
Un Empire Diversifié : LVMH est composé de plus de 75 maisons, chacune ayant sa propre identité, son histoire, et son savoir-faire. Des marques emblématiques telles que Dior, Givenchy, Fendi, Bulgari et Celine sont toutes sous l'égide de LVMH, témoignant de la diversité et de la richesse de son portefeuille. Cette diversification permet au groupe de toucher un large éventail de consommateurs à travers le monde, consolidant ainsi sa position de leader sur le marché du luxe.
Innovation et Créativité : Un des principaux atouts de LVMH réside dans son engagement envers l'innovation et la créativité. Le groupe investit considérablement dans la recherche et le développement pour s'assurer que ses produits restent à la pointe de la tendance tout en respectant un héritage riche. Par exemple, dans le secteur de la mode, des designers de renom tels que Maria Grazia Chiuri chez Dior et Nicolas Ghesquière chez Louis Vuitton apportent une vision contemporaine tout en honorant les traditions de leurs maisons respectives.
Engagement Écoresponsable : Face aux défis environnementaux contemporains, LVMH a pris des mesures significatives pour intégrer la durabilité dans ses opérations. Le groupe a lancé plusieurs initiatives pour réduire son empreinte carbone, promouvoir des pratiques de production responsables et utiliser des matériaux durables. Le programme "Life 360", par exemple, vise à minimiser l'impact environnemental de ses activités tout en favorisant une économie circulaire.
Impact Culturel : LVMH ne se limite pas à la vente de produits de luxe; le groupe joue également un rôle crucial dans le soutien à la culture et aux arts. La Fondation Louis Vuitton, inaugurée en 2014, est un espace dédié à l'art contemporain qui organise des expositions, des concerts et des événements culturels. Cette initiative illustre l'engagement de LVMH à promouvoir la culture tout en renforçant son image de marque prestigieuse.




Grands groupes de France : TOTAL ENERGIES SE - FORACO INTERNATIONAL - BONNEUIL EXPANSION - CAPGEMINI


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